Lucky by Tony Hoagland (from Donkey Gospel published by Graywolf Press) was the prompt during the writing period bisected by Mother's Day. It's one of those holidays that has become a favorite of greeting card, flower and telephone companies. Once poets were commissioned to write verse for others to send on special occasions - a wedding, a birth, a death. People realized that poets could say something that they themselves were unable to articulate. Skip over a handful of centuries and you have greeting cards.
It would be a rare poet that has no mother poems in the file. I'm sure all of you could pull one out to send. But if you are looking to write anew for this prompt, take a good look at Hoagland's poem. This is no greeting card. The poem is painful to read and perhaps only a poet can imagine how hard it must have been to write.
Select one event in your life with your mother that serves as a central reflector for your relationship. Think small and specific, rather than the grand proclamations of the greeting cards.
HOLLYHOCK WOMEN
My mother's talent was not for planting
and tending gardens,
but for letting the beautiful wild
things grow. She showed us how
to love what just came up-free gifts
right in our own ragged yard:
Frogbelly leaves to inflate, honeysuckle
drinks, sour clover salad,
peppermint to rub on our hands 'til we
were mad with the smell of mint.
But Hollyhocks were our
favorites--armless, faceless dolls
in lovely pink and red dresses with
little, hard green heads.
We'd spear them through their sides with
tiny, sharp sticks
to make straight, outstretched
arms. These hollyhock women
tilted on their lovely skirts, no legs
beneath to support them.
I think of this as I lean against the
wall this week,
phone cord twisted up my arm, long skirt
whispering
at my ankles. I'm crying
again. " I can't do it, Mom,
How can I keep on living with a person I
don't love? Could you?"
My mother, too afraid to ask a store
clerk for her change,
afraid to talk to strangers, to take a
plane,
afraid of bridges, of boats, of
driving
in different places, riding in anyone
else's car.
All her children grown and
planted
elsewhere, she still tries to find
gifts
in her own house, her own small
yard.
And I remember now. There were no
mouths in those little green
hollyhock heads. And stems grew
like daggers from their skulls,
if we forgot to snap them off. And
Hollyhock Woman, there are
no legs under your lovely skirts, so
where could you go,
even if you wanted to?
I listened deeply to your every
word
to find a hint of love for me, your only
girl.
Then I heard your plan for the willow
tree:
"Ill use that tree of twigs to
break her will
before she's six years old," you told a
friend;
"She has a need to bend my will to
hers
and that's no way to grow up as a
child."
As the willow tree became more
bare,
and slender switches left their ruddy
mark
upon my butt and legs, I went
underground .
Instead of saying what I really
liked
I learned to cater to your every
word:
"What's your favorite picture on this
page?"
Id answer, "Mommy, it's the same
as yours!"
Or, "I am glad you like the clothes I
choose."
"Of course, " Id say, "Because
you're always right."
This is Now, and I am well past
six.
My stubborn will survived your awful
test.
Today I face two daughters of my
own
and as they trust their precious dreams
to me
together we discover how a twig is
bent
without the threat of switches from a
tree.
Catherine M. LeGault
MOTHER'S DAY
In the beginning there was her
song.
It held me through all the
mornings
and twilights of my growing
years.
It was the sound I
imagined
flowers would make
if they could sing.
I heard it in the the
greening
of my maiden days.
It stayed me fast
in the fulness of my unfolding
life.
An unbound star she must have
been
falling to earth to rise
again
infused with human
life.
How to think of her?
What thoughts for one
so deeply adored?
So easily forsaken?
She did not want to be
there,
the house of no
return,
and could not move to save
herself.
I saw her empty gaze,
the muzzled memory of
life
begin to fade.
I left her, a broken
blossom,
tree fallen, for earth to
claim.
Darkening to dust
her petals withered through thirty
days.
Nights, her haunting
burns through to my
dawns.
Nights, I hurtle
through the funnel of
darkness
hoping to find her
in the likeness of a forgiving
light.
Often I look up
and think I see her there,
again
among the other
lights.
Would that I could hear a
song,
or find a flower at my
feet.
Ghei Galbani
POSTCARD
Nestled in the back
seat
of the white '65 Chevy
tan vinyl interior sticks
to
bare thighs and halter topped
backs.
My sister,17, sulking
arms crossed, eyes straight
ahead
chin quivering
having just been told for the tenth time
why she
couldn't stay home alone.
My brother, his turn on the
hump,
eating the last of the road
mix-
peanuts, Cheerios, and Nestles
butterscotch chips
and dreaming of the next
Stuckeys.
My father, eyes only for the
road
and ears for Roger
Miller
pointing out the houses.
My mother, pink curlers peeking
out
of a cloth wrapped
head,
cat's eyes sun glasses perched on her
nose
eyeing the road and my
sister
weighing the pride of winning the
battle
against the heaviness of 7 days in the
car
with her.
My head pressed against hot
glass
I stare at my nose
until
I can see double
getting quietly car sick.
My mother pulls out the
Kodak
All three of us stick out our
tongues
click, postcard
perfection.
Having a great time, wish you were
here.
Cheryl Soback
THE NURSE
A shock of red
blood appeared in the steel
tray
under my chin,
an underside repeated
for my own perusal.
The rhythmic gag
continued,
wracking this slender
viscera
like the flagellant cough of the
tubercular.
My tall mother shadowed a limp
form
confined by hospital
bed
and comforted me
with the tone she
saved
for sick children and
strays.
You zigged when
you should have
zagged,
she wiped my chin
wet with spittle.
The repaired swollen
nose
was straight beneath the
bandages,
an accident reversed.
It was she
who paid the bill for this
wound,
a favor for the only
daughter
she had raised.
I see my own daughter
and know the boundless
place
where a mother's love
goes,
the return a question of future
deeds.
She stayed with me
as the day sank into an evening
meal
and waited till the blood was
cleared
from the empty reservoir of my
stomach.
I felt her presence like a
child
haunted by nightmare,
the solace an understudy for
faith.
When the retching
ended,
she hurried downstairs
to repeat this day with
strangers
a tireless white-clad
figure
on the night shift.
Lisa Bruckman
WIDOW - WOMAN ALONE
I choose glorious fruits of
summer
choosing summer fruits as gloriously
colored
as a bouquet of summer
flowers
and I choose perennial pleasures,
mother
to incorporate your personality into my
gardens
For today I honor femmes seules (women
alone)
with the well-being of stately
roses
bunch of style setter
daisies
with fern fronds, earth's lace of a
whorled union
they work well together like
enterprising women
I pluck figs and black, juicy
berries
and think of you
mother
I imagine: when you feel
smallest
or most insignificant
that's when you thrive most to be
alive
So, tonight warm blackberries toasted to
a sunset
in honor of widows, women
alone
my mother
and sisters,
women alike
I remember those long
draining afternoons,
sitting next to her
in her silence,
wishing
she would pull love over
me
like a soft blanket
by saying
she is glad to see me.
But she is no longer
interested in
anything,
not even herself.
At least, if she'd complain
-
about the weather
perhaps,
how rain keeps
breaking
summer's fever.
Or about the letters
I keep sending,
although
she no longer reads.
Only an occasional sigh
-
the stuttering sigh
of a punished child
tired of crying.
When we were children,
she and my father sat
in big leather chairs
in the alcove by the bay
window
for their after-dinner
smoke.
He puffed smoke rings,
long lines of them.
As they wobbled toward
us
we tried to catch
them,
but they broke
in our clumsy hands.
We squealed in protest
until he made more.
And she would laugh.
I used to love
hearing her laugh.
Not like a mother
but like a young girl.
Her laughter sparkled
and danced. It had
wings.
Even now,
her laughter flutters
in my heart.
Sonnet
I think it is the thing that hurts me
most
this looking back and knowing when to
leave
was when that part of me began to
grieve
the life it would not have, not here,
the coast
of it receding like the silken
hem
of one pink robe, my mothers
sleeve perhaps,
which reached to bend and toss my red
curls back
from where theyd fallen out of
sorts, again.
It is no wonder that I waited
there
for any touch to find me, my small
chair
kindling hope. I was the one
who stayed
to sweep the ashes into words.
Thus you might pray
someday someone will spite you for your
good,
and flame requite the sacrifice of
wood.
A LIFE WITHOUT POETRY
I write these lines for you,
mother, who had no poetry,
no classes or notebooks,
journals or readings. I wonder
how you held on to your life
and made sense of the pieces --
if you tried to fashion from them
some fabric for yourself to wear.
Something fine and smooth,
that you could use any time
you needed to slip into being
comfortable with yourself
and beautiful to the world.
I never saw such a garment,
though I searched for it
in your closet and drawers
as I boxed your life.
I want to believe that you
had it in a drawer and under
it were love letters, hidden fire.
I never noticed it, failed to ask you
about it, couldn't see its beauty
or smell the smoky scent.
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