Poets Online Archive



Island
April 2025  -  Issue #333

"No man is an island" was originally "No man is an Iland" and is a famous line from John Donne's Devotions upon Emergent Occasions, a 1624 prose work. It was the 17th devotion, Meditation XVII. When you see this a s a poem, it is that Donne's punctuation becomes line breaks. The poem also includes the line "...for whom the bell tolls, it tolls for thee."

That prose work as a whole is considered similar to 17th-century devotional writing generally, and particularly to Donne's Holy Sonnets. It might surprise you that Donne's early career was also notable for his erotic poetry, especially his elegies, in which he employed unconventional metaphor. In "The Flea," a flea biting two lovers being compared to sex.

Donne is considered to be a "Metaphysical poet" which was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterized by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse. Modern critics often say that "baroque poets" may be more accurate as Donne and other don't fit our more common philosophical use of metaphysical as meaning the study of reality and existence.

If you read any of Donne in school, it was probably "No Man Is An Island" or "Death Be Not Proud," but not his erotic "To His Mistress Going to Bed" or "The Flea." 

"No Man Is an Island" is a poem that explores the interconnectedness of humanity and the impact of loss. The speaker asserts that no individual is isolated, but rather an integral part of the broader human collective. The poem uses the metaphor of comparing humankind to a continent, with each person being a "piece" or "part" of the whole.

Loss appears as the erosion of land by the sea. Donne suggests that the death of even one person diminishes the entire human race. This idea is emphasized by the shift from the hypothetical ("If a clod be washed away") to the personal ("As well as if a manor of thy friend's/Or of thine own were").

The poem's concluding lines, "And therefore never send to know for whom the bell tolls; / It tolls for thee," encapsulate the theme of shared mortality and emphasize the inevitability of death for all.

For this month's call for submissions, we invited poets to consider the island metaphor, our shared world and the inevitability of death. Donne loved metaphors and that should be a starting place for you. Perhaps, an island suggests other metaphors to you. In Shakespeare's The Tempest, the island is a metaphor with multiple layers as it represents isolation, both physically and psychologically, away from the regular world where the characters are stranded.

Some Donne allusions trivia: No Man Is an Island is a 1955 book by the Trappist monk Thomas Merton.
"For whom the bell tolls" was used by Ernest Hemingway as the title of his 1940 novel. Hemingway uses it as a metaphor for the Spanish Civil War, implying that people in America or other countries should care about what was happening there, and not ignore it because it was happening far away.    
The band Jefferson Airplane inserts between the track "A Small Package Of Value Will Come To You Shortly" and the song "Young Girl Sunday Blues," this Donne joke "No man is an island! He's a peninsula."


John Donne (1572-1631) was an English poet, scholar, and soldier who later became a cleric in the Church of England as Dean of St Paul's Cathedral in London.
Despite his great education and poetic talents, Donne lived in poverty for several years, relying heavily on wealthy friends. He spent much of the money that he inherited during and after his education on womanizing, literature, pastimes and travel.
In 1601, Donne secretly married Anne More, with whom he had twelve children. In 1615 he was ordained Anglican deacon and then priest, although he did not want to take holy orders and only did so because the king ordered it. He served as a member of Parliament.
Donne died on 31 March 1631. He was buried in old St Paul's Cathedral.


For more on all our prompts and other things poetic, check out the Poets Online blog.

AN ISLAND NEVER CRIES

or so sang Paul Simon
in 1966
with me singing along
all alone up in my room,
punching the air
and crying
and missing Faith Lubecki
who had recently
dropped me like the proverbial
hot potato for Chris DeMezzo
who was more of a risotto—
older, smoother, more
sophisticated, and played
the electric guitar
in a high school band
with other cool kids, and who
could compete with that?
He invited Faith
to play tambourine
and sing harmony with him,
their beatific crooning faces
together at the mic
reflecting the oneness
of all things, while I
spluttered and wailed
the chorus
of my new theme song
a capella
through gritted teeth
for years after:
I am a rock
I am an island

Paul Hostovsky



THE STUMP

grass remained the only semblance of life
on this rock in the midst of the ocean
the sole tree was cut to a lonely stump
creating an unshaded resting place
for this weary traveler to meditate
penning words of wisdom or maybe fear
that this lonely rock foretold the future
and the world would eventually look like this

he sat – focused on his meditations
writing how the ladder he climbed
was made from the shards of the removed tree
how many birds had lost their home
when this majestic beauty - heavily ringed
and a testament to nature’s resilience
was destroyed for man’s greed
and the incessant need to pillage

this little island no longer possesses any village
even abandoned by the little lizards
there is no pollination, hibernation or procreation
only this sole traveler penning these thoughts
for a fleeting moment that he was inspired
because he took a solo journey away from ‘life’
to channel and record his pains on this lonely island

Linette Rabsatt



ISLAND

Stuck at home
to avoid the virus
chasing the world
at cheetah speed,

masked families
sit on their porches
and watch a child
in a fuchsia tutu,
baseball cap, and
mismatched shoes

dance alone
in the empty street
to music that blasts
from an ancient boombox
someone found
in a basement closet.

She's an island of joy
in a sea of unease,
oblivious to all
but rhythm and pitch,

her vibrant flora
blinding beneath
an unchanging sky
the hue of dust,

and she doesn't feel
the waves of woe
eroding her shores,
only the breezes
of here and now.

Susan Spaeth Cherry



IN THE TRINITY ALPS

Under the full moon
we were an island apart
from all the other dark islands
in a great white sea of cloud

and I a stranger with only
my search dog
among so many strangers
asleep in their separate tents

until daylight when
the moon would be gone –
and would the clouds
dissolve in morning air? –

and all of us searchers
begin our separate descents
down the mountain,
to find another stranger, lost.

Taylor Graham



BAR ISLAND, BAR HARBOR

At certain times of day your wheels can drive
Along the sand bar stretching to extend
From town across the bay to the island,
Before your tracks get swallowed by the tide
Where whelks cling and myopic lobsters thrive.
There you can park upon the farther shore,
Beside a sign that warns lest you ignore
The moon-conducted waters when they rise.
Consider the experience of two
Green tourists who in their expensive jeep
Parked there and went exploring, when twelve feet
Of Frenchman's Bay had gone to sea. They rued
The day they kayaked out to some far isle
And back again to lose their vehicle.

Lee Evans



19

Workshop staff.
This was my humble title
All those many years ago.
We didn’t do it for the money,
Most assuredly.
Nor a resume stop.
(Who wants to settle at “staff,” after all.
And what workshop?)

The visionary baby of one man.
One teacher.
At one school.
With a handful of student visionaries
Following him around
Leading

That first year
It was hot and buggy
Surrounded by trees
And another man’s dream

Deeply buried somewhere
In all of us

For a moment, at least.
A snapshot in time.

“No man is an island”
We dutifully sang.

Amid suffocating insecurity
And breathless hope

We clung to the longing desire
For a promontory
And someone to walk the narrow road
To find us
And never let go

“No man stands alone.”
Our tender hearts
Fervently believing with the zeal
Only possible
In youth
And memory
And the naïveté of dreams

Can your joy really be joy to me?
Your grief really be my own?

Even now, a prick of that dream
Moves to resurrect itself.
Hope still clings to that little taste
Gasping like a banked fish
Desperate with hope

Fast forward decades
When the world—
Wild-eyed with manufactured fear—
Wheeled around

Pivot to strike
Wolves with clubs
In masks

It tolls for thee.

Laurie Sitterding



DEAR JOHN DONNE

I am no island, but I live on an island
by myself, not a part of the main.
Most days I live in the surf,
letting it wash over me, carry me.
Some days I wish I was the ocean,
but I don’t think metaphors
should extend beyond the page,
so if I tell you, John,
that I live on an island
separated from the continent,
in a small town separated
from most of the island,
in a small house on a hillside
that is not part of the town
and today I am writing this poem
and feel like a small island
in the middle of my own home,
I hope you won’t take me literally
or feel sad for me.

Lianna Wright


JOHN DONNE AT THE DEPARTMENT MEETING, LEAKING OPTIMISM

We assemble, as we do,
around a glass-topped table
in an unremarkable room.
We organize our spaces
and watch the stragglers
find relief in spotting a seat
left open near their
least objectionable colleague.

We await the arrival of Agenda,
who will feign delight in being
among one’s peers and make noises
of hesitation and resignation
and other tells of discomfort,
to which one of us will respond
with a sigh of beleaguered support.

And as we nestle into the molded seat
of a wooden chair and ponder
the futility of expectations,
we realize yet again that we are here,
each and all, united only by the
begrudging acceptance of time passing,
and our invisibility.

And like a wave or random swell,
an inchoate thought emerges
in our fluttering Agenda medias res,
a near-silent muttering as unintelligible
as our collective indifference is wan,
and a "well, then, let’s begin”
sparks yawns and exhalations.

And we dare to look around into eyes
that recognize the complacency
we’ve imbued in each other and hear
our own mocking inner thought, “let’s not.”
For though we all are credentialed and ranked,
though most of us wonder how,
we each harken silently back
to crisper days of eager anticipations
of respect and published profundities,
all turned into a shared dismay.

We know there could be something good,
should we pretend to be stroking as a team,
with ears attuned toward a coxswain’s call,
yet instead we find our common desire
in longing for this time to pass,
for all time to pass,
and imagine making our way
to the parking deck and flashing
an ironic gallows smile at our fellow travelers.

Rob Friedman



SCULPTING

“I saw the angel in the marble
and I carved until I set him free.”- Michelangelo

The poem begins.
Solid block of ideas.
I carve away the excess
and the form reveals itself.
Patience, vision, unexpected discovery.
The poem existed
before I wrote the first line

Seema Singh



BLOCK PARTY

They sit laughing, talking in the semi-dark,
gathered round a fire-pit in front of the mail
island on our cul-de-sac, momentary refugees
from days spent working, pursuing pleasure,
tending grandchildren, traveling the earth.

They talk of their jobs, their children
(some still with little ones playing round us),
the wondrous places they have been,
the stores and bars they frequent, the
the lives of their friends, family, pets.

Ordinary people round a fire as it’s always
been for thousands of years, talking to affirm
their existence inside the circle of light, huddled
against the darkness, against the weather, against
the strangeness of others living beyond the fire.

I have little to say, my life no longer filled
with the swell of life, the urge to grasp at
passing fancies, my natal family lost to the ages,
my daughter caught up in the rage of living,
so I sit back and listen, as I’ve always done.

Rob Miller



BELOW FREUD’S ICEBERG LIES AN ISLAND

People in bad relationships, failed relationships
Talk of islands between them
Insurmountable, irreconcilable differences
Mounds of love-killing, heart breaking strangling pesticides
Of resentment, disappointment, hate and eventual death
People talk about imposter syndrome
But what if we are imposters- all of us
And the islands that exist are within us
Because who we are and who we present
Are drastically different or at best incomplete
What if the imposter allows our real self
To survive at the same time it is killing it
Perhaps, more than one island, there are many
Archipelagos of being - islands within each of us
Mysterious chains of depths
Preventing us from reaching parts we ourselves cannot touch
Islands both within and between
More than the unconscious- though both ever present and submerged
Portions of psyche with nowhere to land
What we see, what others see, what is
A triangle of existence - A trinity
Of the unexplainable, unseeable, unknowable

Terri J. Guttilla



DEATH'S THERAPIST

I’d ask you how you’re doing but
It’s obvious you’re under stress
Last time we got together
You complained about your work

You said you were unhappy
Felt demonized, misunderstood
Feared, vilified and hated by
The very people you exist to serve

It was not your fault, you said
When you were called too soon
Because of people’s bad behavior
Unnecessary wars, preventable disease

Your preference was to come for people
In their dotage, once they’d lived
A purpose driven, long and healthy life
And were prepared for the inevitable

I must confess there was a time
When I was one of those who hated you
Each time you took another loved one from me
I would retreat to an island deep inside my brain

But the island I thought safe was also barren
The time I spent there, empty and alone
The pain I felt was because we’re all connected
Losing them, I’d lost part of me

I realize, there may be days your job seems thankless
And at those times, you might prefer another line of work
But, by being there for people in extremity
You’re giving those within your care a precious gift

So, Death — don’t be dismayed, take heart
Though we who see it come, may fear the dark
Night follows day — this is the arrow’s arc

Frank Kelly



TOO MANY TREES!

John Donne famously told us that
no man is an island, pointing to
our interdependency; we all rely on others,
perhaps even to the extent that the human race is one
huge entity, consisting of over eight billion
moving parts, all interlinked in ways
we have yet to comprehend.

But—sorry John!—I do sometimes feel like an island!

Very few have stepped onto my sandy shores.
Almost no one has made it off the beach.
And my interior is a rich, diverse rainforest,
explored by no one except myself.
Even my attempts to describe it to others
soon run into semantic and linguistic limitations
that are outside of my control.

Who but I could hope to follow
the tangled roots of thought and concept
snaking their way through the dark,
rich earth of my subconscious mind,
especially when the mesh of mycelium
makes connections I could never predict;
joins dots in ways I'd never consciously spot;
inspires insights from a higher, deeper place,
far beyond the limitations of my egoic self?

Then there are the figs and the palms and
the eucalyptus that soar majestically skywards,
seeking the Light of Truth.
I have climbed part way up a
tiny proportion of these; I'd need
a hundred lifetimes to explore them all,
yet I appear to have only one—
Morrison, another of the Greats, told us,
no one here gets out alive.

What happens to 'my' island when I die?
I'd like to think it would gradually sink back
into the surrounding Ocean of Cosmic Consciousness,
reabsorbed into The All, perhaps
to re-emerge at some other time,
in some other Divine Spark, someone
who may climb more of those trees than
I ever expect to manage.

Robert Best