Poets Online Archive The newest poetry collection from Robert Hass, Time and Materials: Poems 1997-2005, is his first to appear in a decade. In some ways the poems are familiar. There are some set in his California. He addresses art and literature, nature, desire, history and historic figures, and domestic life. There are bits of conversations. But I also read more poems in this collection about memory and the failure of memory, or perhaps the failure of language to describe the passage of time. At times the poems' forms seem broken. Such is the case with his "Futures in Lilacs" that we looked at for this prompt, as in these concluding lines: He was in love with a trolley conductor The book's title has a date range such as we might find on a "selected poems" and the idea of "materials" suggests the things we build our poem from that we have collected over time. I have heard Hass read some of these poems over the last 10 years, and the book seems to me to be a kind of selected poems. I know that Hass has done readings with his wife, Brenda Hillman. I don't believe I have heard them read together, though I have heard both of them at Dodge Poetry Festivals. For this prompt, I have paired two of their poems. I chose Brenda Hillman's "Male Nipples" from an older book of hers called Loose Sugar. I am imagining that the "she" of Hass 'poem is Brenda, and that the man in her poem is Robert - though it doesn't really matter if I am wrong about that. I like that both these poems have in them some of the erotic conversation of couples. Those conversations (not always with words) exist within a real world, and along with the connections we make to both the past and the world around them. For this prompt, work with the materials of a couple's conversation, and have it exist within a frame of both the past and present. There's more about this prompt and the opportunity to post your own comments on the Poets Online Blog.
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FIELD OF VISION "Tus Ojos Me Estan Mirando." Remember how I wooed you in foreign language with cheap Spanish wine from a bota lifted high, the crisp silver stream cascading into your open mouth. And then you’d court me with ancient English song, a tang on the tongue. "Drink to me only with thine eyes." Today a doctor peers into your pupils, and beyond, your eyes still blue as a mountain tarn. The pressure’s too high. We could have told him, you and I. What does medicine know of your vision? or of mine? Two aging lovers will follow their melodic line into the gloaming, and the dark. "Come along, come along, let us woo the dust together." Open your hand then, take mine. QUESTIONS OVERHEARD "A coffeehouse is a place for people who want to be alone but need company for it." Alfred Polgar Your inner child? Who ARE you? You don't think we are totally out of tune? There's no answer to the question what. Ask me why or how. I don't know if I can go through all that again. Can you? What's this? A rehearsal? LINES BETWEEN LOVES AND POETS It is said that Mrs Blake said, "If you are looking for William Go the garden behind the house, He is there talking to angels." While Juliette, Hugo’s long love, "Oh Victor you still desire me And I thought it was linden flower tea,". She laughs, "you wanted." You can take any line of Elizabeth Barrett Even if it is too sweet In bitter times It talks of loves defiance and hope.. My choices were poor Few compliments They were bitter teachers In cold schools on dark winter mornings. One thought herself As writing of her mother’s love, Her pride in making her, 'so cool,' Like a white refrigerator A Kenmore in a Sears window. "You like ballet Isn’t it a faggy thing... And the corps de ballet So lily white The tickets are too close You have cut their points and toes. One wrote this is my haiku. St Joseph is my favored saint He pays the bills that God forgot. And if you call me a shrew Just wait as I execute My destiny To dig within the earth for bones. But I still come back to choices; Ones family's Sunday Chinese suppers With one from column A Or one from Column B Or the never ordered A la Carte. With Szechwan pepper To tinkle and paralyze the tongue. CONVERSATION He told her He stopped sleeping when he met her Eyes closed, her image still danced before him Danced and called him and he had to know Had to know her He told her In her eyes was a mystery he never tired of observing Stroking her soft skin he found his solace, the quiet Harmony of the heart's full music Playing for them both She told him There will be a day for us When your fingers again will be entwined in mine He told her Goodbye She told him The leaves are falling slowly Winter comes, see the frozen webs I am cold, I am sinking inwards She told him You are an empty shadow in the quiet of my mind LOVE NOTES “You’d rather be sitting on a deck chair in the Caribbean doing your nails A little anxiously I propose— “Gentle, gentle kisses on your inner arm. 2. Will you ever learn to stop trying to make me feel guilty? What an e-mail! Yes, we had lunch the following Saturday 3 I hear my lover tripping down the stairs
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